Media Production Meeting Seven; Script

Today i will write a script for our opening sequence. This is what i have written so far;

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INT. DAY - HOUSEHOLD ROOM

OPENS WITH ESTABLISHING SHOT OF AN EMPTY, DIM ROOM. THERE IS A TABLE NEAR THE WINDOW, AND A BLACK BRIEF CASE ON THE TABLE. 

BOMB MAKER [Enters from the left, camera focuses on his back]

CUTS TO ANOTHER SHOT, EXACTLY THE SAME AS THE OPENING SHOT, BUT WITHOUT THE BRIEFCASE. 

BOMB MAKER [Opens front door, cuts to him leaving the house. He looks quickly at his surroundings before he departs.]

[Cuts to a close-up of his feet and legs as he walks] 

[Cuts again to the outside of the house, and a garage. BOMB MAKER appears from the pathway between them]

CUTS TO AN ESTABLISHING SHOT OF A NEW SCENE, A STREET. 

BOMB MAKER [Walks along the street, looking suspicious, briefcase in hand] 

CUTS TO THE OTHER SIDE OF THE STREET, WE SEE A MAN IN BLACK STANDING ON A PAVEMENT LOOKING IN THE DIRECTION OF THE CAMERA. 

BOMB MAKER [Turns down an alley way] 

CUTS BACK TO THE OTHER MAN, NOW EXTREME CLOSE UP.

MALE BRITISH SPY [Puts walky talky to mouth and speaks into it- inaudible to audience] 

CUTS TO ALLEY WAY

RUSSIAN FEMALE SPY [Stands at the far end of the alley way]

BOMB MAKER [Walks to where the RUSSIAN FEMALE SPY is, holds out suitcase for her to take] 

RUSSIAN FEMALE SPY [Puts hands in pocket and pulls out an envelope of money and hands it to the BOMB MAKER, then takes the briefcase in her other hand]

CUTS TO AN ESTABLISHING SHOT OF THE ACADEMY, THEN TO A 'COMPUTER ROOM' ISNIDE OF IT] 

BRITISH FEMALE SPY [Camera positioned where a computer screen is, she turns to face it, looking worried] 

CAMERA REPOSITIONS TO BEHIND THE BRITISH FEMALE SPY.

=TO BE EDITED=